Something to Consider:
Here’s something to consider: pacing and tension in fiction. I’ve been assigning my university students some young adult novels to read every semester. YA fiction is generally shorter than adult fiction and has all the elements of adult fiction—character development, plot structure, point-of-view, style, themes, and pace/tension. This semester, I assigned my students the first book in the HUNGER GAMES trilogy. Every student devoured this book. One student read the first book and, within a week, she had read all three in the series. Another student told me she almost cut one of her classes just to keep reading. One student didn’t really want to read YA, but admitted he hadn’t read any YA since high school—so, he gave it a try. After reading HUNGER GAMES book one, he decided he actually liked YA.
But, here’s the point. It makes no difference whether or not a book is YA or adult. It’s that this book leaps out of the shoot and never slows down. There’s no sense of rushing, however. It’s just that the surprises keep coming and the tension never releases—surprises and tension quicken the pace of any novel. HUNGER GAMES BOOK ONE doesn’t have a saggy middle—one of the major problems of many novels.
This book has more than tension in the basic plot, it has tension in every scene. That’s the way to write a successful novel—to maintain tension in every scene. That’s the challenge. If there’s tension in every scene, there will be no sag in the middle. Wow—that’s a challenge indeed! That goes for dialogue too. Tension in every block of dialogue. Okay, the challenge just got bigger! Go writers!
Here’s another interesting things about HUNGER GAMES BOOK ONE: The writer, Suzanne Collins, stated that the idea for the book came from the Greek myth of Theseus and Minotaur AND from reality TV. Unbelievable! Who would think Greek Mythology would merge with reality TV to create a contemporary best-seller?
Goes to show ideas for fiction can come from anywhere. Good sources include: newspaper articles; magazine stories; family stories; histories; people, people, people; dreams; photographs; imagination; and all kinds of images. The list could go on and on. Anything and everything can be material for a short story or a novel. Combinations of things can also lead to great fiction—as in Greek Mythology and reality TV.
Another Conference:
Looking for a really BIG conference? How about BACKSPACE 2011. New York City, May 26-May 28. The “faculty” includes eighteen agents, several editors, and at least a dozen authors. The agenda includes agent panels, query workshops, opening pages workshops, and mixers. The Backspace Conference follows the gigantic Book Expo America. So, if you want to go to NYC a day or two early, you can also take advantage of Book Expo—an extravaganza of writers and publishers promoting recent books. Check out BACKSPACE 2011 via an internet search or by going to www.backspacewritersconference.com
I attended the BACKSPACE CONFERENCE in the fall of 2011. It’s big stuff. Critiques are by agents. Very tough! Not for the faint of heart!
ENOUGH! GOOD WRITING! GOOD READING! HAVE A GREAT THURSDAY!
